Opinion: Campus Police Email Limits Outreach of Art Installation
Avery Ryan Contributing Writer
The familiar ding of an Instagram notification jumped across my phone late on Sunday, March 31. Intrigued, I looked into the profile that had followed me. I wasn’t expecting the incredibly provocative artwork of UnBEARable UMF.
My first reactions were of intrigue and curiosity. The bravery of this artist to not only spray political graffiti on university buildings but to parade said graffiti on social media was astounding. The passion for spreading awareness that inspired this courage was successful; I immediately looked further into the Yemeni Civil War mentioned in the account’s first post. I also felt a strange reservation— should I follow this account? If I do, will somebody think I did the graffiti?
This fear emphasized what was so successful in a piece like this. Provocative public artwork lives on a wide spectrum of success, and this piece’s mystery solidified its accomplishment in starting conversation around its focal topics. This conversation was multiplied in the apparent shock that spread through campus in those first 24 hours. Calls to campus police, whispers among friends, and support and rejection of this approach surged across campus, leading to the premature climax of the exhibit: an email from Director of Public Safety, Brock Caton.
“Paw Prints Are Not Vandalism — The paw prints seen around campus are an on-going art project and do not need to be reported to Campus Police. For more information, please see the email traffic below.”
This short interjection into the project stands out as equally fantastic and disappointing. The confirmation of this being “an on-going art project” and not graffiti removed the assumed bravery of the artwork. It remained meaningful, yet lost much of its power. When I see the paw prints scattered across campus I no longer am driven to discover the motivation for such an installation. I no longer had that spark from the first 24 hours— the excitement and drive to understand why this person had been inspired to such bravery. This email violated my experience of the artistic merit of this project, as I’m sure it did for many others. By sending this email as quickly as they did, campus police prevented a number of students from that initial spark of curiosity that was present from Sunday night to Monday morning.
Was this a perspective that was unique to me? I sat down for a brief conversation with Student Senate Presidential candidate Jess Freeborn on the subject. “I didn’t see any of the paw prints until after the email was sent out. I think people were alarmed by them.” Freeborn said. “I think I would have been more curious if I had seen the artwork before the email.”
Nick St. Germain, a senior, echoed these sentiments. “[The paw prints] were pointed out to me specifically as an art project. I didn’t see a point to look further into it because it was just an art project. I would’ve been more excited if I’d seen it and thought it was graffiti.”
I couldn’t help but feel disappointed that both students were robbed of the excitement and curiosity of first seeing the artwork in its purest form. Their perspective had been modified and the artwork had been limited in its reach.
Was this the correct approach by campus police? As a university with an occasionally provocative arts program, more flexibility from campus police would have been incredibly beneficial. Imagine the conversations spread across campus had that email been sent out later— the historical and contemporary issues raised by UnBEARable UMF would have stood greater ground and the mystery of what would come next would have been an incredible excitement.